Le soleil est arrivé

"The sun has arrived / the birds are having fun [...] / the kids play outside / the dads work on their construction sites, whistling / the sun came back, summer is here"

I just spent two wonderfully sunny summer weeks in the Swiss mountains and can't think of a better way to celebrate this and summer in general (before autumn comes) than by playing you this song by the 9-year old Gérard who luckily went to Freinet school in 1971. He sings and plays metallophone on his song, accompanied by Marc and Roger, same age, on percussion and xylophone. An incredible record of kids avantgarde, played on Orff instruments, rubber bands and knives-on-the-edge-of-desks. Definitely one of my finds of the year. More of this would probably really have led to socialism (of the good sort).

Support Finders Keepers

Finders Keepers Records helped us rediscover some of the most amazing music from the past: Pakistani synth-meets-accordion soundtracks, hungarian fuzz, Swiss musique concrète / synth jazz, Krauty cuckoos, psyched out Frenchmen, heavy heavy thai stuff and Czech fairy tale music among many other things. I wish all reissue labels worked in the same careful way, clearing all the rights, adding extensive liner notes and amazing cover art.

Now Finders Keepers is in danger after a fire during the London riots destroyed 90% of their stock, as well as the stock of about 100 other independent labels, interrupting their income immediately.
Help them recover by buying Mp3s through their Mp3 store, T-Shirts and the series of special CDs they set up with the help of Jarvis Cocker, Gruff Rhys, Demdike Stare and many others.
I had the pleasure to work with Andy Votel and Doug Shipton  from Finder Keepers in the past - they are also extremely nice people. So, please go buy some Mp3s, ok?

The two clips below were created for an event in the context of the essential FK-release Pomegranates with pre-revolution pop from Persia/Iran.

Japanese UFO Magazines

The non-japanese parts point to George Adamski (who met Venusians in 1952 and still seems to have followers) and E.T.
I like the combination of the astronaut and Adamski's UFO/Lampshade picture.

Humanic

Believe it or not, these videos are commercials for Austria's biggest shoe retailer, Humanic, from around 1970. Their advertising director Horst Gerhard Haberl invited artists and poets to make commercials, apparently without any boundaries (e.g. no shoes had to be in the picture). The slogans were reduced to "Humanic passt immer" ("Humanic always fits") and, more importantly, the name "Franz!" (with no particular reason) and often absurd/experimental poetry. The concept was kept alive until the 1990ies, creating an incredible series of clips full of absurdist humour.
The above clips are by artist Roland Goeschl and director Axel Corti who were both involved in the invention of "Franz". The voiceover in the third clip above evokes a dystopian future with environmental pollution and tells the people to gather at "the oxygen simulators our fathers called trees".
Three later examples:


1977


With composer and poet Otto M. Zykan


"Berge brauchen keine Menschen" = "Mountains don't need people" (1994). I guess many Austrians hated this one...

I've learnt about these clips in an exhibition about experiments in television in Germany in the 1960s and 70s that I recently saw at the Kinemathek in Berlin. More posts inpired by that exhibition might follow.

The wonderful cosmos of die Welttraumforscher

Drawings from the "Ohm Olunde" LP (2005)


Liebe Lili (from "Binika", C-30 cassette, 1986)


Ein Abend in der Mandel (from "Folklore des Weltalls", LP 1989)


Kleines Mädchen (from "Sideria", CD 1995)


Die Welttraumforscher  is definitely one of the most interesting and interestingly weird idiosyncratic things originating from Switzerland.
"Die Welttraumforscher" is a German play on words that means both “the world dream researchers” and “the space/universe explorers” (Welt = world, traum = dream, Weltraum = space/universe). Christian Pfluger, the man behind the project, has been creating his own cosmology with songs, drawings and texts since 1981 often refering to the Welttraumforscher's music as Outer Space Folk (Folklore des Weltalls). He has released dozens of cassettes, CDs, and records, as well as books.
I had the honour to DJ at the 30th anniversary of die Welttraumforscher last week. It was also the release party for a lush vinyl reissue of his first cassette on the great A Tree In A Field label containing an amazing booklet with drawings. Listen to the whole record (and buy it) on their website. I have also released one of his EPs on my netlabel some time ago - get it here for free.

body jewellery

"To open a window is to change the air. Sometimes the air inside (particu-
larly in the mind) needs changing. There is excitement in fresh air. Can
you smell it? lt carries the scent of freedom, risk, discovery, and change.
I believe the pages of this book represent the opening of many mental
"windows." The subject of the book is body adornment, but the pulse of the
book has opened windows whenever they were closed.
Hiding behind each mental window lies a pair of eyes. Eyes are to see
with. They are visual recording instruments for the mind. Many people, how-
ever, use their eyes only to look. This book represents over fifty pairs of
eyes - eyes that have been trying to see.
Yes, open a window. What do you see?"
(From the foreword)

Donald J. Willcox, body jewellery, international perspectives, london 1974

Top to bottom: Nilda Getty, Marita Kulvik, Sonja Hahn-Ekberg, Rita Shumaker, Marcia Lewis, Gijs Bakker and Emmy van Leersum, Clifton Nicholson Jr., Marita Kulvik, Louise Todd, Yasuki Hiramatsu, Frank Taylor, Marita Kulvik, Frank Taylor

Guitare Fiction

"A nice nark" by Robert Gretch from "Guitare Fiction" on Creasound/Mondiophone is not only one of my favorite tracks from my library music collection, it is also part of a little comparative library musicology study. Please contribute: After listening to the above track, go to this post on the faboulous toys&techniques blog, and listen to the track Ben posted from "Guitares naïves" on Musique pour l'image (credited to "Jacky Scala" and "Emile Gropegne"). Don't you think the two tracks are from the same session?