Jean-Michel Wicker's wonderful "eiermann ee's board" (an Eiermann table full of the letter e, cut out of cardboard with added strings and other material) currently on display at the New Jerseyy art space in Basel made me think of Timm Ulrichs' concrete poem featuring nothing but the lovely lower case e as well. It's from the same concrete poetry in the classroom book from 1972 that I featured in my previous post.
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